There's also one that I can't seem to find that has people raving at a party outside and then inside a space. The editing in time to the beat (cut/sync) is huge in connecting the two together. It sounds like they might also do visuals for the track spending on the arrangement you have with them.įor an example that I think captures what you are thinking off, this video is a great paring of visuals to the music. I've also reached out to them on submitting my stuff for my upcoming projects. This was mentioned in another post regarding sources for samples that u/Marie_Orsic posted.įor inspiration, HATE has done a pretty good job with this on their Youtube channel.

Nostalgia (Disney Edutainment and Worlds Fairs bring out the kid in me), samples, and visuals all in the Creative Commons domain. I have been enjoying Prelinger for a number of reasons. As I get closer to finishing the EP/Album i hope to spend more time on that. I didn't get a chance to edit the videos to the music which would've made more impact. More recently, I also did a couple videos myself for two upcoming tracks on my own project that are simply visuals from the Prelinger Archives. I noticed that views performed way better than something that doesn't cue the user to listen (even though it's a video).

Before that I just used a static image of a speaker. I haven't gotten too far due to time, but I did a few videos on Instagram that use FFT analysis of the audio stream in Processing to render graphical information as an audio visualizer. I know my way around After Effects enough to write some javascript to 'modulate' the amplitude of the music to various filters. I'm also into generative art and have gotten back to doing some work in Processing, Nodebox, and exploring some other programmatically generative tools. I've been in the same situation and gone a couple directions.

Nodebox moire pattern